This season Marco De Vincenzo moves in a dense and primordial matter, and imagines the collection from the material itself, which is tactile, thick, tangible, made of overlapping levels in which even prints are a glaze, a rubberization, an embroidery on the underlying texture.

Lines move liquidly around the body: they mark and caress it, and then flare, short or long, asymmetrical and fringed. Pleats highlight the waist, while a fantastic flora swarms on denim and corduroy. Wools are brushed, sweaters are embroidered, sequins live inside geometric facets. Aliens from far away end up on the jewels as well as bees trapped in amber, while embroideries of a fantastic zoology born from the collaboration with the korean artist Maria Jeon envelop clothes, and bags which have soft and rounded shapes, or clean and squared lines. Raw and untamed, wool fur is a primitive touch that recalls wild scenarios, touching hats and coats. The same motifs extend to the men’s wardrobe, investing jackets, duffle coats, robe coats, psychedelic velvets. The Etro magma bubbles and boils, vital, infinitely metamorphic.